A bit of old news for a few of you, but I’ve joined the international collective Book Art Object for their next edition. It’s rather ambitious this time around. Last I heard, about 50 people have signed up. We are being placed in groups of 8 each.

Each Book Art Object edition uses a literary piece as a starting point. The inspiration for Edition 4 is Sarah Bodman’s artist’s book An Exercise for Kurt Johannessen. More is explained at the BAO site and by Sarah, but the gist is that Johannessen, in his artist’s book Exercises, had suggested a task: write 100 short stories and bury them in a forest. So Sarah did. All that remains are the titles of her stories. Using this as our starting point, we each chose one for our own artist’s book. I chose title #87–Superstition.

We will each make an edition of at least 10 books–one for each in our group, plus one for Sarah Bodman, and an extra (or more, if we desire) for exhibiting.

My good luck charm Larry. He always sleeps with me.

I picked Superstition because the line “One should not dance around ladders nor sleep with black cats” popped into my head as I was looking at the list of titles. I thought it might have potential. After I signed up, it occurred to me that black cats are actually good luck in the UK, where at least one of these books is going to wind up. And I had no idea what sort of luck they are in Australia or Norway, where some of the others will be headed. Hmmm . . .

I posed this question on the BAO blog, and my fellow bookies have offered input. It turns out they are indeed bad luck in Norway (if one crosses your path, you should quickly spit 3 times to ward off the bad luck). But the opinions from Australia seem to be a bit ambivalent. Theoretically, I think they’re supposed to be good luck in Australia, but I’ve been told that traditionally they are known to be bad luck as well. So… either this will turn into a treatise on the nature of black cats and the fortunes they bring depending upon country of origin, or I’ll have to come up with something else. I suspect I’d better come up with something else. I’m still jotting down ideas in my sketchbook.

At any rate, seeing as we recently survived a Friday 13th, this seemed like an appropriate time to mention Superstition. I hope you all had a relatively lucky 13th. Mine was mostly peaceful, aside from a large van backing into my car while I was sitting in it (fortunately, and surprisingly, no damage to me or the car). Perhaps the two black cats waiting for me at home have distant British relations, thus bringing me good luck and improving the outcome.

My other good luck charm, Lila.

 

An overall view of the paper copy of the Gutenberg Bible held at the British Library. http://www.bbc.co.uk/programmes/b018wy46

This week Melvyn Bragg is having a special series on BBC Radio 4 about the development of the written word and how it has shaped our intellectual history. Each episode looks interesting, but the second episode especially so:

In the second instalment of his survey of the written word, Melvyn Bragg traces the evolution of writing technology from the time of classical antiquity to the invention of printing. He discovers the origins of the book, and encounters the earliest surviving intact example in the Western world.

The entire episode, along with other installments from the series, can be listened to online. I haven’t had a chance yet to hear it myself, but it was highly recommended to me. I wanted to pass along the recommendation. [Update: I finally had a listen. It's good!]

 

I recently took part in a Christmas/Winter Season card exchange with the North Redwoods Book Arts Guild. I felt like playing with spinners, and so concocted a New Year’s card: spin the wheel, then peek inside to find your suggested bookbinding-related resolution. (Click on the pictures to enlarge.)

I’ve personally been finding it hard to feel good about 2012. So I made a more general card for friends here in the US:

Politics aside, I do wish all my friends here, no matter where in the world, a happy New Year!

PS If you were wondering, the arrows came from Alpha Stamps. I put a small nylon washer between card and arrow to keep the metal from scraping the ink. The card was done as a tri-fold, using 3M 415 double-sided tape to hold the front part, including the arrow, in place.

 

 

PBS is airing a short about book art with Matthew Reinhart, Andrea Dezso and Carole Kunstadt. There are some nice shots of artists’ books. Dezso’s, especially, should be viewed full screen.

 

Have you ever forgotten to wash out a glue-soaked brush? Here’s a tip you may or may not know: soak it in rubbing alcohol. I just saved another “ruined” brush and thought I’d pass along this most useful tip.

Do you have a helpful studio suggestion you’d like to share? Please do!

As for the alcohol bottle’s label design… hmmm… What’s next? Papyrus on tubes of hemorrhoid cream? (Forgive me.)

 

In my never-ending quest to get the studio straightened out, I came across a doll I bought years ago from a craft store. I’ve used these in the past to make packaged voodoo dolls as gifts for friends. I decided it was time to make another.

Click to read.

I found the original “packaging materials” on my computer, but figured it was time to change the design a bit. I also added some wording about propping it up next to the cutting board next time you chop onions (why not?). And even though I’m not planning to sell these or make it a commercial item, I put a new “product name” on the label after discovering that my original choice is, of all things, a registered trademark belonging to Dow Chemical.

On back, I added a description of the contents, a bar code, the obligatory “Made in China” and a warning about use by children. I thought it added a nice authentic touch.

I have some narrow sleeves that were originally intended for bookmarks. And I have some other, tinier sleeves just perfect for a few starter insect pins.

Voila. A finished Payback Magic Voodoo doll that almost, indeed, looks as if it could’ve come from a tacky dollar shop.

 

I’ve been a bit more quiet than usual, as you might’ve noticed. Mostly I’ve been recovering and trying to get things back together after last month’s show. The current decorative motif in the studio is Nouveau Catastrophe. I’ve been attempting to shovel out. For a while I thought I was making good progress. I now don’t feel like I’m making good progress. It’s pretty hard to do anything in there at the moment.

However, last week I decided @#$% it, and managed to move enough piles aside to make room for a little paste painting. I’d come across an interesting set of scraper/spatula things at a store that were, the package said, for the kitchen. (Really–are you going to scrape dough and not paint with something that looks like that?) I also recently found some interestingly shaped toothbrushes and a square wire whisk. I’ve been wanting to try out my new toys tools.

 (Clean and unused) cat litter pans of water are great for wetting sheets of paper.

 

I like to work on a sheet of plexi-glass. The white surface you see underneath is a super absorbent incontinence pad. It was a gift from a friend, who told me they’re wonderful for when her kids paint and do messy things. She’s right–it makes cleanup easier and keeps all the nasty stuff off my cutting mat underneath. This has been a very thoughtful gift.


A square wire whisk was new for me. This definitely has possibilities. This is painted on Tyvek.

 

 

 

 

 

 

 

 

 

Toothbrushes.

 

This one was made with miscellaneously shaped cut-outs of sticky-backed fun foam mounted on a rolling pin. After it was dry, a second layer with a comb was added.

 

This was originally done with a fat grouting comb and a golden color that I didn’t like so much (nothing against the tool–I just didn’t like the paper). Then I went over it again with a different color, and liked the result even less. So most recently I went at it a third time with a thin rubber comb pattern and a different color. Now I like it.

I added some more to a paste paper set on Flickr.
 

This sign used to hang in the local laundromat. I do my wash at home these days, but perhaps I should post my own friendly reminder above the washer and dryer.

Although I’d assume this isn’t quite as bad as doing the laundry with ammo, I’d think that putting a pocket full of scalpel blades through the wash isn’t a good idea either.

(Picture of laundry sign found here.)

Oct 022011
 

My exhibition opening at Eureka Books turned out to be quite enjoyable. I reconnected with friends, some of whom I hadn’t seen in quite a few years, and was genuinely touched by the enthusiasm of many others. I hadn’t been sure what it would feel like to spend an evening seeing, and talking about, my paper mosaic collages from years ago along with the books I’m doing now. But it turned out I was glad to have the opportunity.

The photos above the railing are revived from a display in my last solo show of paper mosaic collages 9 years ago. They show the process in the studio.

It’s been so long since I’ve shown them here at home that many people hadn’t ever seen them. I’d been a little afraid it was all going to be eclectic to the point of bizarre, but in the end I thought it all went together well.

But I shouldn’t speak entirely in the past tense. The show continues for the rest of the month. But it’s shrinking a bit–most notably, there is now only one bottle of Codex capsules left out of what began as an edition of five. I do so love people who buy artists’ books! See ‘em while you can.

 

What kind of picture book is this?

 

I got a nice mention in our local Times-Standard today. It says I’m having an opening tomorrow night at Eureka Books. Hmmm…. I’m still assembling books! But I must say, it  does feel good to be showing my work again like this.

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