My Daily Planner

Book blocks made from pharma inserts, waiting to be cased in.
 

Here’s some more background on those miniature books I mentioned in the last post. Several months back, I found a 7-compartment weekly pill organizer in the drugstore. There was just something about the size of it—slightly larger than usual—that screamed “art supply.”

I decided to make little books that look like day planners, one for each compartment. The pages come from copies of the pharmaceutical inserts from my meds. They are 7/8″ x 1-5/8″.

I’ve been trying to find a suitable covering material for the little books. I’d been thinking of using Tyvek, but in the end it didn’t look “day planner” enough. Mostly, the tiny lettering just didn’t look right no matter how I tried to affix it to the Tyvek. I opted, instead, for inkjet prints on paper.

I made a solid black background and used white lettering. But then the coated inkjet paper scratches so easily and the texture wasn’t quite right — what to do?  I decided, as a protective gesture, to coat the papers with beeswax, which was something new for me. It turned out that the coating not only offers scratch resistance, but the texture of the wax rubbed into the paper definitely suggests “day planner” to me. I was quite pleased with the result. They are smooth and glossy and not “waxy” at all (unfortunately, the picture doesn’t convey this very well).

I made the first one last night and eagerly showed my husband, who said, “Wow, a bible–how funny!”

Bible?!
I had to confess, it did look more “bible” than “day planner.”
At any rate, I can recommend wax-coating inkjet printouts. I’ll explain a little bit more about my process for coating them in the next post.
A finished “day planner”

Codex Goes to the Fair

As it turns out, my last two available bottles of Codex, out of an edition of 5, are heading to San Francisco this week. If you’re in the Bay Area this weekend, Feb 6 – 7, consider stopping by Eureka Books’ booth at the San Francisco Antiquarian Book, Print and Paper Fair at the Concourse (7th and Brannan), where they will be on view and available for sale. They’ll also have copies of a new edition of my miniature Cat’s ABC (more on that soon). Eureka Books put up an online catalogue sampling (PDF) for a peek of some of the rare books and ephemera they’ll have there. 

Adverse Events on Codex…with Some Poisonous Plant Exposure

I have a collection of pharmaceutical informational inserts. I mostly use them as art material. Some actually came with my own prescriptions, and some were given to me. (It’s helpful to have an acquaintance in the medical field who is willing to pass these things along.)

I first started paying attention to them when I was putting together an entry for a We Love Your Books show in ’07.  The theme was A (is for add) B (is for book) C (is for collaborate). I chose to do P is for Pills. It was probably the first book-related thing I did that I packaged in a pill bottle. I filled it with little pamphlet-style books made from the informational inserts.

At any rate, I felt that my bottles of “Codex” (tiny books in capsules that, as a work, I’m calling The Literary Cure), needed a little something more–an accompanying informational insert, of course! So I opened up InDesign and Illustrator and got to work.

Of this edition of five, three are already spoken for, and one will be headed to a big book fair at the end of this week. I have not actually made that many bottles of Codex yet. Tiny capsules with tiny books are slow going for someone with hand issues (that is, me). The three that are being purchased were ordered by someone who is willing to wait, even knowing that it might take me months. What a great person! I partly added the insert for her. She deserves a little something extra for her patience.

All this reminds me of the funniest real pharma insert I’ve seen. Have you ever read the fine print on some of these? This was for a well-known sleeping aid. It had the familiar charts displaying the adverse events that had been noted in clinical trial subjects. After all the various bodily systems and their related side effects were listed, there was a mysterious category of “social circumstances.” Here it was noted that one research subject, after consuming the sleeping aid, had experienced “exposure to poisonous plant.” I tried to imagine… a crazed sleepwalker nibbling on a euphorbia? Running through a field of poison oak? The possibilities…

At Last, a Little Bit of Studio Stuff

Finally, I’ve been able to spend a little bit of time here and there in the studio. After a longish period of not being able to do much, I’m trying to get caught up on some projects. For one, I’m completing a couple more copies of the Literary Cure (pictured at right). This particular small edition seems to be developing a following. I hadn’t realized that the concept of literature as pharmaceutical would resonate so well with others.

Here are some mini book blocks drying while clamped in small clothespins. They will be trimmed down and have covers added later.

Then they will eventually be put in capsules. Here’s another example of what the finished encapsulated books  look like.

There are also little book-like items with printing on them that are clamped and drying with the others (in the picture before last). They are miniature prescription pads for a pharmaceutical shrine I’m finishing up.

This is a sneak peek through one open side. Better pics of this will appear in a few days, hopefully photographed well enough so that you’ll be able to appreciate the gold-leafed interior and offerings.

And while I’m at my messy worktable, I’ll show a couple of my favorite tools that are sitting here. Top left is an ergonomically shaped teflon folder. It makes folding papers so much easier. The blue item is my British scalpel handle, which makes grasping the scalpel easier. In general, I prefer working with scalpels rather than craft knives.

More soon as things progress . . .

Life from a Pill Bottle

I feel as if I am returning back to the land of the living. My original intention for this blog had been to focus on paper and book art to the exclusion of more mundane personal stuff, but I’ve been finding that hard to do. There is just too much overlap between what goes on with me and what I wind up doing (or not doing) in my work space.

Actually, when I set this thing up, I hadn’t planned to let anyone even know that I was doing it. I’d thought I’d just create a little anonymous spot on the web where I could motivate myself by writing about projects I was thinking about and about miscellaneous paper-related discoveries I’d made online. If anyone actually stumbled upon it and kept reading, swell. But I wasn’t aiming to share my life. Unbloggerly of me, I know, but that was my thinking.

 

Then, a funny thing happened. When I was doing the bookmarks recently, I had to put my info on the back of them. And, to my surprise, I found myself putting this blog address on the back. I’ve been using the Paper Chipmunk name as the imprint for my book work. I guess I’m embracing my inner chipmunk. And sharing my life…

 

In spite of a show coming up soon with the book arts guild I belong to, I haven’t been able to do much of anything for months. My health matters have been getting worse and worse.  The scariest part was nobody could really offer much of an opinion what was wrong. Some major endocrine stuff, among other things, was happening, but of a sort that should be controlled by taking artificial replacements from pill bottles. However, it didn’t seem to be working very well. And doctors’ patience runs out when answers don’t come easily. I felt like I was slowly dying, quite literally. My MD was probably hoping I’d be sucked up by aliens on my way home, never to reappear.

 

Then an amazing thing happened. My pharmacy was going to switch my hormone replacement with another generic brand. I have allergies to some ingredients in pills, and this new one had some questionable things in it. So, feeling annoyed that I was now going to have to pay a lot more for my meds, I grudgingly went on the name brand version of my rather common drug, hydrocortisone. Within half a day of switching brands, I felt better than I’d felt in a long time. People I hardly know have been stopping me to tell me how much better I look. Even the constant pain I live with, something that’s not supposed to be related, became a bit more controllable. The change has been remarkable.

 

I’m sharing my rather personal medical saga as a sort of public service. If your medication doesn’t seem to be properly controlling your problem as well as you think it should be, it might be the brand of your pills. This is actually not the first outrageous generic medication incident my family has suffered from. I’m discovering it’s a common occurrence. The ever-expanding generic drug industry seems to be largely a racket.

 

However, in celebration of feeling alive again, and in honor of pills, I have made a bottle of a pharmaceutical I am calling Codex. Why read when you can take your books in pill form? Each capsule contains a miniature perfect bound book. If things remain controlled, over the next year I plan to make an edition of 5 bottles of Codex. Or, rather, Paper Chipmunk Press will be issuing bottles of Codex…
As an aside, I digitally designed several of the miniature book covers. Although I knew they were going to be shrunk down too small to be legible, I had great fun coming up with faux titles. A few: Iatrogenic Horror: a Novel; Arts and Crafts for Phlebotomists; Doctors Kill… I think you get the idea.