A few months ago, I discovered that Paul Johnson, one of my all-time favorite paper artists, was going to be coming from England to teach a few workshops at the San Francisco Center for the Book. It was going to be in November, right around the time I was going to be in S.F. anyway for the usual medical reasons. Books are the best medicine, thought I! I signed up for two of the classes.
And then I discovered that John DeMerritt was going to be having a Drum Leaf binding workshop as well, during the same week and when Paul Johnson wouldn’t be teaching. Hmm… one of my favorite bindings with a master bookbinder…? I signed up for that too.
My first workshop day was foldable piano-hinge screens with Paul Johnson. I’d never thought of making piano-style hinges with paper beads before, which is essentially what these were. You roll the paper around a skewer to form the hinge in a bead-like fashion. When they’re done, you string them back on the skewer and attach to the screens. Very nifty.
This was mine:
And that was supposed to have been the end of my time with Paul Johnson. I hadn’t signed up for the weekend workshop on pop-ups as well. But I was beginning to regret it. One of the lovely people at the workshop on the second day had signed up for all of the classes. As we were leaving, she told me that her hands were getting worse, and Paul Johnson was getting older. Who knew how many opportunities she’d ever have to do something like this again? Which, given my own circumstances, echoed what I was thinking inside.
As it turned out, there was still a slot left for the weekend. It became mine.
Next post: Drum Leaf bindings with John DeMerritt and a talk by Paul Johnson.