I’ve written before about the similarities between children’s books and artists’ books. This is not, of course, an original observation. Others, including Keith Smith in at least one of his books, have noted the similarities as well. I’ve come to the conclusion that if you are interested in artists’ books and book arts, you should make a beeline for the kids’ section in bookstores and the book section in toy stores any time you manage to go to either such establishment. Some of the best ideas for book formats are often found in those places. Ignore the subject matter in many–I suspect most of us don’t get excited over “Baby’s First Counting Book” and the like–but you might very well be inspired by the format of that same book if it has unusually constructed windows that open to reveal things embedded in the thick pages underneath, or pages designed to look like tabbed directory pages.
I especially love board books. (I suppose if I were being a properly grown-up Serious Book Artist, I’d say I like stiff-leaf structures). There is just something about a book with such heft and texture. Those thick pages are so satisfying to turn and run one’s hands against (board books often use nice, substantial papers that have lovely tactile qualities). Durability is often cited as a reason why board books are so popular for children. But they are just plain fun to hold as well.
The majority of commercial board books have a drop spine that folds away from the book as it is read. This allows the book to have a tight fitting cover when closed, yet when opened the page spreads can lie perfectly flat. Aside from a drop spine’s practical role, I just think it’s so pleasing to have a spine that varies in shape as the book is read. Cool, isn’t it? Admit it! And if you still don’t know what I’m talking about, find a commercial board book with a tight-fitting wrap-around cover (the common style cover that most have). Open it up and notice the shape the spine makes as it folds away from the book as it is read. Simple, but satisfying.
A while back, I started putting together a board book model collection. I suspect the folks at the local book shops have come to realize that I’m not actually a doting auntie buying gifts for a young someone else. I love to look through my collection.
Some benefits of board books:
- Nice weight and presence in the hands.
- Flat pages with no sewing–great for page spreads that need to be presented flat and uninterrupted. And no page imposition, since the page spreads are glued back-to-back, not nested.
- The thickness of the pages allows all kinds of opportunities for cutting through layers and embedding details, cutting into pages to make windows or peep holes or to layer scenes, or making shaped pages that stand up firmly. Thick, solid pages also offer an ideal support for page pullouts, pop-ups and the like.
- There’s that fun drop spine thing.
Plus, let’s face it, board books are so connected to children’s books that it’s also fun to use the format to poke fun. (I’m planning to photograph colorful pharmaceuticals for my next “children’s” book.)
The commercial books pictured are, in order from the top:
- Animal Spots and Stripes Britta Techentrup.
- Look Who’s There! Martine Perrin
- Look Who’s There!
- Colors: A Butterfly-Shaped Book Accord Publishing
- Colors: A Butterfly-Shaped Book
- Dinosaurs Simms Taback
- The Grouchy Ladybug Eric Carle
- Baby Baa Baa Dawn Sirett et al.
- Baby Baa Baa
- Fire Truck DK Publishing
- Mister Sea Horse Eric Carle
- I Spy in the Ocean Damon Burnard and Julia Cairns
- Beautiful Oops! Barney Saltzberg
- My Very First Book of Animal Homes Eric Carle